For some time now there has been a great controversy in
Philadelphia's art world over the Barnes Foundation Collection. Dr. Albert C. Barnes, 1872 - 1951, was
a wealthy entrepreneur who parleyed his wealth into one the finest, deepest,
secretly iconic art collections in the world.
A reflecting pool on the grounds with the free library and city hall in the background. |
I had the great privilege of seeing the collection in it's former digs which was wonderful, and a bit of an ordeal that made such a visit to such a treasured collection more of an ordeal than it ought to be. My vote in this controversy was to move it.
Today's visit confirmed the wisdom of that decision to me.
The new facility is a magnificent work of architecture. It recreates the original space with tremendous fidelity and an ungraded infrastructure that the original build could have never attained.
The location in the heart of the city is also much preferred to the Merion Campus. It's now an easy walk to the Rodin Sculpture Museum and the Philadelphia Museum of Art.2. The Collection Conceptually
One of the keys to the collection is the way that's displayed in carefully contrived groupings. Assemblies that include paintings, metal craft items, and furniture among other items. Barnes was committed to stimulating understanding as well as fostering new ideas through connectivity. The collection is now rehung in the exact way that Dr. Barnes had it at the original sight in 1951 at the time of his death.
Barnes also love symmetry.
3. Specific Works
The museum is replete with Renoirs, Cezannes, Picassos in particular, so I have chosen 4 works that I enjoyed from none of these artists. Call me onery!
The Studio Boat (Le bateau-atelier) 1876, Claude Monet, 1840 - 1926
"A Montrouge"--Rosa La Rouge, 1886-1887, Henri de Toulouse-Lautrec, 1864 - 1901
Young Woman Writing (Jeune Femme Écrivant), 1908, Pierre Bonnard, 1867 - 1947
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