Showing posts with label Italy. Show all posts
Showing posts with label Italy. Show all posts

Saturday, February 28, 2015

My Dad's WW II Photos

Or a few of them, anyways.
My dad standing under the engine looking at the camera.
 My dad was a flight engineer on a Bomber.  We was stationed in Libya after it's liberation from Rommel.  In the summer of 1943, he participated in the bombing of Sicily prior to the surrender of Mussolini.
 Unidentified airman painting a plane.  Below two more examples of his artistry.


 My dad (left) with unidentified airman in Libya desert, 1943.
 My dad (left) with unidentified airman displaying bottle of something.
 My dad hugging unidentified airman.
The rest of the pictures are from Italy after it's liberation.  circa October/November 1943.
 My dad seated in a boat on his way to visit the Grottos.
 Approaching the cliffs where the Grotto caves are located.
 My dad with an unidentified miss...I could have been half Italian!
My dad with his flight crew in Italy, autumn 1943.

Saturday, December 28, 2013

The Dying Gaul

 Also at the National Gallery is the sculpture, the Dying Gaul (c. 1st-2nd century CE).

 It's on loan from Italy, the first time ever (the only other time it left Rome was in 1797 thanks to Napoleon, but that bad boy had to return in 1816, and it was hardly a "loan"!) It's just shy of 2,000 years old, and arguably the finest work of art from the Roman Antiquity (Okay, there is David in Florence...) It's on display on the north edge of the grand rotunda in the west building. It is magnificent.

You'll find it on the north end of the grand rotunda...surrounded by visitors.  

Tuesday, October 23, 2012

Andrea Palladio: 5 Views That Changed The World

Enjoying reading about the life and work of 16th century Italian Architect, Andrea Palladio (1508 - 1580). How many amazing works of architecture in the world can you name that are derivative of his work? The Stock Exchange in NY, The National Gallery of Art, the White House, Jefferson Memorial, Monticello, The Parliament in Pretoria South Africa, Houghton Hall in Norfolk England among so many others. I love learning.

Andrea Palladio: Villa Almerico Capra

Andrea Palladio: Palazzo Chiericati

Andrea Palladio: Basilica Palladiana

Andrea Palladio: Teatro Olimpico

Andrea Palladio: Villa Godi Valmarana

Sunday, October 09, 2011

Today's Sermon


What He Thought

We were supposed to do a job in Italy
and, full of our feeling for
ourselves (our sense of being
Poets from America) we went
from Rome to Fano, met
the Mayor, mulled a couple
matters over. The Italian literati seemed
bewildered by the language of America: they asked us
what does "flat drink" mean? and the mysterious
"cheap date" (no explanation lessened
this one's mystery). Among Italian writers we

could recognize our counterparts: the academic,
the apologist, the arrogant, the amorous,
the brazen and the glib. And there was one
administrator (The Conservative), in suit
of regulation gray, who like a good tour guide
with measured pace and uninflected tone
narrated sights and histories
the hired van hauled us past.
Of all he was most politic--
and least poetic-- so
it seemed. Our last
few days in Rome
I found a book of poems this
unprepossessing one had written: it was there
in the pensione room (a room he'd recommended)
where it must have been abandoned by
the German visitor (was there a bus of them?) to whom
he had inscribed and dated it a month before. I couldn't
read Italian either, so I put the book
back in the wardrobe's dark. We last Americans

were due to leave
tomorrow. For our parting evening then
our host chose something in a family restaurant,
and there we sat and chatted, sat and chewed, till,
sensible it was our last big chance to be Poetic, make
our mark, one of us asked

"What's poetry?
Is it the fruits and vegetables
and marketplace at Campo dei Fiori

or the statue there?" Because I was
the glib one, I identified the answer
instantly, I didn't have to think-- "The truth
is both, it's both!" I blurted out. But that
was easy. That was easiest
to say. What followed taught me something
about difficulty,

for our underestimated host spoke out
all of a sudden, with a rising passion, and he said:

The statue represents
Giordano Bruno, brought
to be burned in the public square
because of his offence against authority, which was to say
the Church. His crime was his belief
the universe does not revolve around
the human being: God is no
fixed point or central government
but rather is poured in waves, through
all things: all things
move. "If God is not the soul itself,
he is the soul OF THE SOUL of the world." Such was
his heresy. The day they brought him forth to die

they feared he might incite the crowd (the man
was famous for his eloquence). And so his captors
placed upon his face
an iron mask
in which he could not speak.

That is how they burned him.
That is how he died,
without a word,
in front of everyone. And poetry--

(we'd all put down our forks by now, to listen to
the man in gray; he went on softly)-- poetry

is what he thought, but did not say.

~ Heather McHugh, 1948 -

Saturday, January 01, 2011

What I'm Watching #262

The fact that the Italian film David's Birthday starts with 5 of the characters attending a Wagner opera should have been a warning. The film is very operatic, twisted psyche's, tormented hearts, a sacrificial tragedy. Did I mention that it's an Italian film? And poor David never does get his birthday party...

Interesting, lots of male eye candy, Thyago Alves (a.k.a. David). Not a bad 106 minutes on a gloomy afternoon.

Tuesday, January 19, 2010

Art I'm Seeing #42

Even though it was supposed to be off exhibit on January 10th, this beautiful Triptych was still available to be viewed by the public in the grand rotunda. It's on loan from the National Museum of Abruzzo, Italy. Known as the Beffi Tritych, it's exhibition came after the 5.3 earthquake in L'Aquila back in April. The work suffered a few minor scratches which were conserved at the NGA, and in appreciation the Abruzzo museum allowed us to appreciate it for the first time in history. It's a gorgeous work of devotion and art.

Saturday, October 10, 2009

What I'm Watching #211

"Giorni," or "Days," is an Italian film made in 2002. This is key to its major theme: living with HIV.

It's the story of Claudio whose days are punctuated by the annoying buzzing of the alarm on his wrist watch announcing the times when he must take the next does of his anti-retroviral pharmacopeia. In spite of his infection he works out and has a great body, holds down a stable and supportive (if boring) job at a bank, has n HIV(-) long-term companion, and maintains healthy relations with his emotionally distant mother and sister. Enter the one-night-stand.

Andrea remakes his world. From chance encounter to torrid affair, he rattles every fiber of Claudio's world. In the end there are casualties and questions of morality that find no comfortable resolutions. It's a thought-provoking film.

Tuesday, July 21, 2009

Healthcare Check Up

Where in the world is it better to get sick than the Imperical nation of the United States of America with its healthcare envied by all those living on the known planet? Hmmm... There are 36 nations with better healthcare? We're 37! in the world? The wealthiest, most powerful, biggest DICK filled nation in the history of the world, and a people cowering on the little Caribbean Island nation of Dominic stand a better chance of seeing a doctor, receiving quality health care?

What's wrong with this picture? I can attest, that as an employee of one of the most successful and wealthy school districts in America, my healthcare is stellar. If I were to loose my job tomorrow--I'd suddenly have bubkis for my plan; emergency rooms, the kindness of strangers, a complete burden on the rest of you working plebes.

I needed healthcare in Italy (#2 ranking) in 1990 for a strepe infection that boiled up on my left calf and got it for all of $4.00 bucks. It cost me even less in Costa Rica (#35 ranking) in 1984 for a remedy sold over the counter to counter-act a fungal skin infection on my face. I've been lucky.

Why should healthcare in the most prosperious and powerful nation on the planet depend on luck or employment? Why should change require politicians beholden to the contributions from contra-indicated interests like pharmasutical conglomerates and Insurance companies to oppose their fiscal masters in favor of their mere constituents? God help us, please....

Monday, December 24, 2007

#15 ROME ~ Italy


rome
Originally uploaded by Randuwa