Has anyone been more studied than the playwright, William
Shake- speare? Certainly no writer of plays has! Between 1592 and 1612 he is
credited with writing all or most of 37 plays. In the United States, the Folger
Shake- speare Library and Theater here in Washington, D.C. is ground zero for all
things Shakespeare in this country. Of those 37 plays, I have seen productions
of Romeo & Juliet, Hamlet, Julius Caesar, A Comedy of Errors, A Midsummer
Night's Dream, The Two Gentleman of Verona, The Taming of the Shrew, Henry V,
and Macbeth. All of which are among the more renowned plays. So Friday
evening's production of Timon of Athens represented my first foray into a
considerably lesser work by the noted Bard. And it was not treated like minor
member of the illustrious portfolio. The Folger Theatre took this bull by the
horns and wrestled it for all it was worth!
Over the years I have also seen my share of
"concept" productions. The afore mentioned Two Gentlemen was set in
gangster 1920's Chicago in a Savannah, Georgia Shakespeare Theatre in the Park
production to disastrous results! And the most recent version of Romeo Juliet
that I saw was set in a contemporary Italy with techno DJ's. This production
went one better. It was set in a dystopian future with plenty of special
effects and data collection. And it was marvelous.
But settings, sets and costumes aside--Shakespeare is 99.9%
acting and this production was superbly anchored by Ian Merrill Peakes in the
title role. His timing was spot on and the transformation from the wealthy
patron of the local artisans to a nearly demented disillusioned recluse was
compelling at every moment along the way. Other stand out cast members included Andhy Mendez and
Michael Dix Thomas. It's hard to
imagine a better retelling of this odd member of the Shakespeare repertoire.
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