Sunday, September 17, 2017

Summer Vacation Redux #29: Denver Art Museum, part 4

 Round two of the "You Just Blew Mind" game on the fifth floor of the North Building of the Denver Art Museum is sponsored by their collection of Spanish Colonial Art.  Again I can only scratch the surface of what was there.  I suppose you'd have to go Spain or Mexico to discover a finer collection.  There were rooms with such exquisite silver and gold work from utensils to jewelry to royal crowns--and all of it glaring so that my little camera couldn't get a good shot!  The only time I've ever seen an exhibition of this quality (and it was dinky by comparison) was when I accompanied Dr. Sally Promey from the University of Maryland's school of Art on a trip of doctoral candidates to see a focus show at the Winterthur Estate and Museum in Wilmington, DE many years ago.  It was my first exposure to this genre of art and I thought how neglected it was at the time.  Well, clearly the Denver Art Museum has not been guilty of that! 

 "Inca Rulers" circa 1890, Peruvian, Artist unknown.  What a beautiful collection of portraits.  They are reminiscent of the work of American artist George Catlin and his series of portraits of Native American chiefs.  Then comes the punch line--the final portrait of Spanish Conquistador Francisco Pizarro.

 "Three Kings on Horseback" circa 1750, Artist unknown, Ecuador
 "St. Joseph and the Christ Child" circa 1815, Artist unknown, Cuzco, Peru
 "Pair of Doors" circa 1750, Artist/s unknown, Quito, Ecuador
 "St. John Nepomuk" 1766, by Míguel Cabrera, Mexican
 "St. Anthony and the Christ Child" (ivory) circa 1750, Artist unknown, Goa, India 

I found this piece fascinating for it's provenance.  The acknowledgement that Spanish Colonialism was not limited to North and South America.
 "Set of casta paintings" circa 1775, by Francisco Clapera, Mexican
 "De Cambujo, y Mulata, Albarazado" circa 1775 by Francisco Clapera, Mexican
 "De Espanol, e India, nace Mestiza" circa 1775 by Francisco Clapera, Mexican
 "Garden Party on the Terrace of a Country Home" circa 1740, Artist unknown

 "St. Ferdinand" circa 1730, Artist unknown, Querétaro, Mexico

"San Hipólito y las secuelas de la conquista" 2016 by James Córdova  

There is a space for contemporary art that is derivative of the classic works called "Cuatro[4]".  From the museum's website regarding this piece: "The Cuatro[4] series connects local creatives to the DAM’s pre-Columbian and Spanish Colonial collections to bring the artworks to life. James Córdova is our current Cuatro[4] artist. His work, "San Hipólito y las Secuelas de la Conquista," provides an in-depth look at how the mixing of indigenous and European cultures came together to create a new visual vocabulary."  It is awfully pretty.

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